About aprileon

Posts by aprileon:


Solenoite is a new tool for testing magnets. It is insanely useful when choosing the right solenoid for a project. One can quickly test magnets, measure the required fire time, check its power consumption and put it into loop mode to free up hands. In Portuguese sol-e-noite means sun-and-night which I find a very poetic way of paraphrasing the typical cycle of fire-and-rest states. I just love Portuguese. 


Excerpt from Finland

This is the first minute of a new piece called Finland. Sometimes it is quite difficult to come up with a name for a piece and generally I think of words that I associate with the music. This time however I chose to do the opposite and pick a name that I feel has nothing to do with it and randomly came up with “Finland”. So I could equally have named it “Zucchini Soup”, “Adhesive Destruction” or “Ode to Gertrude Stein”. But I didn’t. After a while I noticed that for me the song has something to do with Finland as it bears a sense of fatalism which I would attribute also to some of Finnish culture. I guess my subconsciousness tricked me out, darn!

The Studio 2020

Finally! I moved my studio to one of Lübeck’s most famous streets: ⇾Mengstr. 44. The historical building is a typical merchant’s house from the 16th century. It is an inspiring place and I am really happy to have found it. Lots of space for lots of new ideas…


Jazz Champion

Recently, I turned an old dysfunctional chess computer into a jazz computer. In the video I play some moves against or rather with the machine. To score points, one has to enter jazz chords that match the last one played by the computer. It’s a fun way of discovering chord alterations and matching harmonies. 



I am working on a completely new interactive installation for the Science & Fiction Festival. It is based on an algorithmic composition and I created a small non-interactive prototype to evaluate emerging audiovisual patterns. This is going to be great …

Make Munich 2019

For the 2019th edition of the Maker Faire in Munich, I created a touch controller allowing for quick remixing of a tune. The simple interface was especially popular among children age 5-10. I noticed that adults mainly wanted to understand how it all works. Children instead wanted to experience and play. Or destroy.